Audio-Technica, a pioneer in audio equipment manufacturing, is thrilled to announce the integration of its flagship large-diaphragm BP28 and BP28L shotgun microphones into the heart-pounding world of MotoAmerica racing. Renowned for their ability to capture high sound pressure levels (SPL) with minimal noise interference, these cutting-edge microphones are revolutionizing the audio experience for broadcast viewers. 

With the introduction of Audio-Technica's BP28 and BP28L shotgun microphones, MotoAmerica is not just enhancing but revolutionizing the sonic experience for fans worldwide. 

The BP28 and BP28L microphones boast a range of unique features that set them apart: 

• High-SPL Handling: MotoAmerica racing events are notorious for their earsplitting engine roars and tire screeches. The BP28 and BP28L microphones boast exceptional SPL handling capabilities, ensuring that every rev, skid, and roar is faithfully captured without distortion. 
• Low-Noise Design: Ambient noise is a constant challenge in MotoAmerica racing's high-energy environment. Audio-Technica's microphones are engineered with low-noise circuitry, guaranteeing pristine audio quality even in chaotic racing environments. 
• Long-Distance Pickup: Whether it's the thunderous rumble of motorcycles speeding down the straightaway or the distant echo of crashes on the far end of the track, the BP28 and BP28L microphones excel at capturing audio from a distance, allowing audiences to feel engaged in every moment of the race. 

Speaking on behalf of Audio-Technica, Broadcast Sales Engineer Brent Chamberlin expressed his pride in the partnership with MotoAmerica. "We are thrilled to be part of this journey with MotoAmerica, enhancing the audio experience for racing enthusiasts worldwide,” he said. “The BP28 and BP28L microphones are not just tools; they are engineered to deliver unparalleled performance, ensuring that every race is felt as much as it is seen. With our cutting-edge technology, fans can expect to be fully embodied in the heart-pounding excitement of MotoAmerica racing." 

Adding to this sentiment, Josh McInerny, the Audio Sound Effects Mixing Engineer for MotoAmerica, remarked, "We are using the BP28L microphones on all of our hard cameras. The larger 28 mm capsule lowers the noise floor by half of a standard smaller capsule shotgun microphone. The bike’s chain noise, braking, and shifting really stands out now." 

These groundbreaking microphones are already making waves in the world of MotoAmerica, providing spectators and viewers with a heightened sensory experience that truly captures the thrill of motorcycle racing. 

For more information about Audio-Technica's BP28 and BP28L shotgun microphones, visit audio-technica.com.